Results for the term... "mythology"
Results from the Pages of Joseph Campbell
- A Guide to Using the Joseph Campbell Papers at the New York Public Library
- About Joseph Campbell
- About the Foundation
- Audio Lecture Series I
- Audio Lectures Series II
- Campbell’s Sarah Lawrence College Reading List
- Dawn Crowder – Director
- Follow Your Bliss
- John Bucher, PhD – JCF Executive Director
- Mythmaker podcasts
- The Masks of God™ Series
Results from the Collected Works of Joseph Campbell
- Bulfinch’s Mythology
- Correspondence
- Divine Horsemen
- Eastern Way, The
- Ecstasy of Being, The
- Fire in the Mind, A
- First Storytellers, The
- Goddesses
- Hero with a Thousand Faces, The
- Inner Reaches of Outer Space, The
- Inward Journey: East and West
- Inward Path, The
- Joseph Campbell and the Power of Myth with Bill Moyers (book)
- Language of the Goddess, The
- Man and Myth
- Man and Time (Eranos Yearbooks 3)
- Myth and the Body
- Mythic Imagination
- Mythologies of the Great Hunt
- Mythologies of the Primitive Hunters and Gatherers
- Mythologies of the Primitive Planters: The Middle and Southern Americas
- Mythologies of the Primitive Planters: The Northern Americas
- Mythology and the Individual
- Mythos I
- Mythos II
- Mythos III
- Myths and Masks of God, The
- Myths and Symbols in Indian Art and Civilization
- Myths to Live By
- Pathways to Bliss
- Romance of the Grail
- Sacrifice, The
- Skeleton Key to Finnegans Wake, A
- Spirit and Nature (Eranos Yearbooks 1)
- Spiritual Disciplines (Eranos Yearbooks 4)
- Sukhavati – A Mythic Journey
- The Masks of God™ 4: Creative Mythology
- The Masks of God™ Volume 1: Primitive Mythology
- The Masks of God™ Volume 2: Oriental Mythology
- The Masks of God™ Volume 3: Occidental Mythology
- The Message of the Myth (Power of Myth 2)
- The Mysteries (Eranos Yearbooks 2)
- The Mythic Image
- Thou Art That
- Way of Art, The
- Western Quest, The
- Western Way, The
Results from the Youtube Channel of Joseph Campbell
- Joseph Campbell — Cave Bears and the Birth of Mythology
- Joseph Campbell — The Laws of God and Man
- Joseph Campbell–Mythology of the First City States
- Joseph Campbell–Mythology of the Trickster
- Kundalini Yoga: Crown Chakra — Becoming One with the Beloved
- Kundalini Yoga: Flying Elephants That Support The World
- Kundalini Yoga: Throat Chakra Symbology
- Parzival – Medieval Troubadour Traditions of Love
- Psyche & Symbol – Ritual Sacrifice
- Psyche & Symbol: The Origin of Elementary Ideas
- Stairways to the Mayan Gods: Elite Theologians and the Rhythm of Cylindric Time
- Tales of Tristan & Isolde
- The Forest Years of Tristan & Isolde
- The Homeric Legends: A Championship of Brutality and Humanity
- The Homeric Legends: The Journey of Odysseus
Results from the Collected Lectures of Joseph Campbell
- A Portrait of the Artist as a Young Man (Audio: Lecture III.1.2)
- Archetypes & Mythology (Audio: Lecture II.4.4)
- Birth of the Perennial Mythology (Audio: Lecture II.1.9)
- Confrontation of East and West in Religion (Audio: Lecture I.2.3)
- Cosmology and the Mythic Image (Audio: Lecture II.5.4)
- Creative Mythology (Audio: Lecture II.2.5)
- Creativity in Oriental Mythology (Audio: Lecture I.3.5)
- Experiencing the Divine (Audio: Lecture I.5.3)
- Freud Jung & Kundalini Yoga Part 3 (Audio: Lecture II.4.3)
- Grail Mythology (Audio: Lecture II.1.8)
- History of the Gods (Audio: Lecture I.5.4)
- Imagery of Rebirth Yoga (Audio: Lecture I.2.4)
- Jung: Myth and Shadow (Audio: Lecture II.1.6)
- Mythic Living (Audio: Lecture I.4.2)
- Mythic Themes in Literature and Art (Audio: Lecture II.2.1)
- Mythic Vision (Audio: Lecture I.5.2)
- Mythological Conclusions (Audio: Lecture II.1.11)
- Mythologies New, Old & Today (Audio: Lecture II.5.1)
- Mythology & Art (Audio: Lecture II.6.5)
- Mythology East and West (Audio: Lecture II.1.2)
- Mythology in the Modern Age (Audio: Lecture II.2.4)
- Mythology of Today (Audio: Lecture II.6.3)
- New Horizons (Audio: Lecture I.1.4)
- Origins of Western Mythology (Audio: Lecture I.6.1)
- Personal Myth (Audio: Lecture I.4.5)
- Rarity: A Sukhavati Companion
- The Function of Mythology (Audio: Lecture II.1.1)
- The Individual in Oriental Mythology (Audio: Lecture I.1.2)
- The Mythic Goddess (Audio: Lecture II.3.4)
- The Mythology of Love (Audio: Lecture I.6.2)
- The Necessity of Rites (Audio: Lecture I.4.4)
- The Thresholds of Mythology (Audio: Lecture I.2.1)
- Ulysses Part 2 (Audio: Lecture III.1.4)
Results from the Quotations of Joseph Campbell
- A mythological order is a system of images that gives consciousness a sense of meaning in existence, which, my dear friend, has no meaning––it simply is. But the mind goes asking for meanings; it can't play unless it knows (or makes up) the rules. Mythologies present games to play: how to make believe you're doing thus and so. Ultimately, through the game, you experience that positive thing which is the experience of being-in-being, of living meaningfully. That's the first function of a mythology, to evoke in the individual a sense of grateful affirmative awe before the monstrous mystery that is existence.
- Marsupial babies grow in a second womb, a womb with a view. We need mythology as the marsupial needs the pouch to develop beyond the stage of the incompetent infant to a stage where it can step out of the pouch and say, "Me, voilà: I'm it."
- All I can tell you about mythology is what men have said and have experienced, and now women have to tell us from their point of view what the possibilities of the feminine future are. And it is a future––it's as though the lift-off has taken place, it really has, there's no doubt about it.
- Almost all non-literate mythology has a trickster-hero of some kind. … And there’s a very special property in the trickster: he always breaks in, just as the unconscious does, to trip up the rational situation. He’s both a fool and someone who’s beyond the system. And the trickster represents all those possibilities of life that your mind hasn’t decided it wants to deal with. The mind structures a lifestyle, and the fool or trickster represents another whole range of possibilities. He doesn’t respect the values that you’ve set up for yourself, and smashes them.
- And just as in the past each civilization was the vehicle of its own mythology, developing in character as its myth became progressively interpreted, analyzed, and elucidated by its leading minds, so in this modern world––where the application of science to the fields of practical life has now dissolved all cultural horizons, so that no separate civilization can ever develop again––each individual is the center of a mythology of his own, of which his own intelligible character is the Incarnate God, so to say, whom his empirically questing consciousness is to find. The aphorism of Delphi, 'Know thyself,' is the motto.
- And so, to return to our opening question: What is –– or what is to be –– the new mythology? It is -- and will forever be, as long as our human race exists –– the old, everlasting, perennial mythology, in its "subjective sense," poetically renewed in terms neither of a remembered past nor of a projected future, but of now: addressed, that is to say, not to the flattery of "peoples," but to the waking of individuals in the knowledge of themselves, not simply as egos fighting for place on the surface of this beautiful planet, but equally as centers of Mind at Large –– each in his own way at one with all, and with no horizons.
- And this then is one of the problems with our tradition, where our inherited mythology, let's say the Judeo-Christian tradition, relates to the first millennium B.C., and has nothing to do with life here. Everything has to be 'explained'––and a mythological image that has to be explained to the brain is not working.
- The first condition, therefore, that any mythology must fulfill if it is to render life to modern lives is that of cleansing the doors of perception to the wonder, at once terrible and fascinating, of ourselves and of the universe of which we are the ears and eyes and the mind. Whereas theologians, reading their revelations counterclockwise, so to say, point to references in the past (in Merton’s words: 'to another point on the circumference') and Utopians offer revelations only promissory of some desired future, mythologies, having sprung from the psyche, point back to the psyche ('the center'): and anyone seriously turning within will, in fact, rediscover their references in himself
- “The stress on the sexual character of the deity—whether male or female—is secondary and, in certain contexts, baffling. It was originally oriented toward the masculine to establish the superiority of the patriarchal societies over the matriarchal. . . . Folks in the Orient don’t have this problem. Eastward of Persia, in India and China, the old mythology carries the idea of the cosmic cycle—the impersonal order behind the universe—up into the contemporary world. You have the Indian idea of dharma and the kalpa, the Chinese concept of the Tao and so forth. These concepts, which are as ancient as the written word, transcend gender.”
- For it is the artist who brings the images of a mythology to manifestation, and without images (whether mental or visual) there is no mythology.
- For the symbols of mythology are not manufactured; they cannot be ordered, invented, or permanently suppressed. They are the spontaneous productions of the psyche, and each bears within it, undamaged, the germ power of its source.
- For when scrutinized in terms not of what it is but of how it functions, of how it has served mankind in the past, of how it may serve today, mythology shows itself to be as amenable as life itself to the obsessions and requirements of the individual, the race, the age.
- Mythologies present games to play: how to make believe you're doing thus and so. Ultimately, through the game, you experience that positive thing which is the experience of being-in-being, of living meaningfully. That's the first function of a mythology, to evoke in the individual a sense of grateful affirmative awe before the monstrous mystery that is existence.
- I would say that all our sciences are the material that has to be mythologized. A mythology gives spiritual import - what one might call rather the psychological, inward import, of the world of nature round about us, as understood today.There's no real conflict between science & religion ... What is in conflict is the science of 2000 BC ... and the science of the 20th century AD.
- Nobody can give you a mythology. The images that mean something to you, you'll find in your dreams, in your visions, in your actions – and you'll find out what they are after you've passed them.
- Indeed, the first and most essential service of a mythology is this one, of opening the mind and heart to the utter wonder of all being. And the second service, then is cosmological: of representing the universe and the whole spectacle of nature, both as known to the mind and as beheld by the eye, as an epiphany of such kind that when lightning flashes, or a setting sun ignites the sky, or a deer is seen standing alerted, the exclamation 'Ah!' may be uttered as a recognition of divinity.
- The amazing thing about Indian mythology is that it could absorb the universe we talk about now, with the great cycles of stellar lives, the galaxies beyond galaxies, and the comings and goings of universes. What this does is diminish the force of the present moment.
- Myth, like dream, is an expression of the human imagination thus grounded in the realities of the psyche and, like dream, reflecting equally the influences of a specific social environment (nomadic hunting-and-gathering tribe; settled agricultural sib, city state, or nation; vagrant desert horde; or militaristic empire), which, in turn, is linked to a landscape. The common ground, or element, of all mythology is consequently the biology of Homo sapiens sapiens, whereas the differentiating factors are (1) geography and (2) the cultural stage horizon. For it is a fact that every mythological system has taken shape within a given geographical horizon, conditioned not only by the landscape from which its imagery is derived, but also by the limits of the body of information according to which all appearances in that only known world are interpreted.
- My idea is that the basic thing about myth is that it is visionary. A mythology is a system of "affect-symbols," signs evoking and directing psychic energies. Levy-Strauss is saying something like verbal grammar is the structuring form of myth, and this seems to me just wrong, that’s all. The logic of image-thinking and of verbal thinking are two very different logics.
- Mythology and the rites through which its imagery is rendered open the mind . . . not only to the local social order, but also to the mythic dimension of being – of nature – which is within as well as without, and thereby finally at one with itself.
- Mythologies present games to play: how to make believe you're doing thus and so. Ultimately, through the game, you experience that positive thing which is the experience of being-in-being, of living meaningfully. That's the first function of a mythology, to evoke in the individual a sense of grateful affirmative awe before the monstrous mystery that is existence.
- Mythology — and therefore civilization — is a poetic, supernormal image, conceived, like all poetry, in depth, but susceptible of interpretation on various levels. The shallowest minds see in it the local scenery; the deepest, the foreground of the void; and between are all the stages of the Way from the ethnic to the elementary idea, the local to the universal being, which is Everyman, as he both knows and is afraid to know. For the human mind in its polarity of the male and female modes of experience, in its passages from infancy to adulthood and old age, in its toughness and tenderness, and in its continuing dialogue with the world, is the ultimate mythogenetic zone — the creator and destroyer, the slave and yet the master, of all the gods.
- Mythology, in other words, is not an outmoded quaintness of the past, but a living complex of archetypal, dynamic images, native to, and eloquent of, some constant, fundamental stratum of the human psyche. And that stratum is the source of the vital energies of our being. Out of it proceed all the fate-creating drives and fears of our lives. While our educated, modern waking-consciousness has been going forward on the wheels and wings of progress, this recalcitrant, dream-creating, wish-creating, under-consciousness has been holding to its primeval companions all the time, the demons and the gods.
- Mythology and the rites through which its imagery is rendered open the mind . . . not only to the local social order, but also to the mythic dimension of being – of nature – which is within as well as without, and thereby finally at one with itself.
- Mythology helps you to identify the mysteries of the energies pouring through you. Therein lies your eternity.
- Mythology is a system of images that endows the mind and the sentiments with a sense of participation in a field of meaning.
- You've got to translate these things into contemporary life and experience. Mythology is a validation of experience, giving it its spiritual or psychological dimension.
- Mythology is composed by poets out of their insights and realizations. Mythologies are not invented; they are found. You can no more tell us what your dream is going to be tonight than we can invent a myth. Myths come from the mystical region of essential experience.
- Clearly, mythology is no toy for children. Nor is it a matter of archaic, merely scholarly concern, of no moment to modern men of action. For its symbols (whether in the tangible form of images or in the abstract form of ideas) touch and release the deepest centers of motivation, moving literate and illiterate alike, moving mobs, moving civilizations.
- Mythology is not a lie; mythology is poetry, it is metaphorical. It has been well said that mythology is the penultimate truth –– penultimate because the ultimate cannot be put into words. It is beyond words, beyond images, beyond that bounding rim of the Buddhist Wheel of Becoming. Mythology pitches the mind beyond that rim, to what can be known but not told.
- Myths do not come from a concept system; they come out of a life system; they come out of a deeper center. We must not confuse mythology with ideology. Myths come from where the heart is, and where the experience is, even as the mind may wonder why people believe these things.
- Mythology is poetry, and the poetic language is very flexible. Religion turns poetry into prose. God is literally up there, and this is literally what he thinks, and this is the way you’ve got to behave to get into proper relationship with that god up there.
- Mythology is poetry.
- Mythology is the womb of mankind's initiation to life and death.
- Mythology is very fluid. Most of the myths are self-contradictory. You may even find four or five myths in a given culture, all giving different versions of the same mystery. Then theology comes along and says it has got to be just this way. Mythology is poetry, and the poetic language is very flexible. Religion turns poetry into prose. God is literally up there, and this is literally what he thinks, and this is the way you’ve got to behave to get into proper relationship with that god up there.
- Mythology may, in a real sense, be defined as other people's religion. And religion may, in a real sense, be understood as a popular misunderstanding of mythology.
- When mythology is properly understood, the object that is revered and venerated is not a final term; the object venerated is a personification of an energy that dwells within the individual, and the reference of mythology has two modes—that of consciousness and that of the spiritual potentials within the individual.
- Mythology and the rites through which its imagery is rendered open the mind . . . not only to the local social order, but also to the mythic dimension of being – of nature – which is within as well as without, and thereby finally at one with itself. Moreover, the sentiments of this nature within are indeed innate: of love, for example, hate, fear, and disdain, wonder, terror, and joy. They are not 'developed in the individual,' as the anthropologist states, 'by the action of society upon him,' but evoked by these means and directed to social ends. Nature is prime: it is there at birth; Society is next: it is only a shaper of Nature, and a function, moreover, of what it shapes; whereas Nature is deep and, finally, as inscrutable as Being itself.
- Whenever a knight of the Grail tried to follow a path made by someone else, he went altogether astray. Where there is a way or path, it is someone else's footsteps. Each of us has to find his own way, and this is what gives our Occidental world its initiative and creative quality. Nobody can give you a mythology. The images that mean something to you, you'll find in your dreams, in your visions, in your actions - and you'll find out what they are after you've passed them.
- "One cannot predict the next mythology any more than one can predict tonight's dream; for a mythology is not an ideology. It is not something projected from the brain, but something experienced from the heart."
- One of the biggest problems in mythology is this one of putting the individual in accord with nature. The world in which the primitive people are living becomes mythologized. One of the problems in our tradition is that the land –- the Holy Land -- is somewhere else. So we've lost the whole sense of accord with nature. And if it's not here, it's nowhere.
- My favorite definition of mythology: other people's religion. My favorite definition of religion: misunderstanding of mythology. The misunderstanding consists in the reading of the spiritual mythological symbols as though they were primarily references to historical events.
- Our mythology now, therefore, is to be of infinite space and its light, which is without as well as within. Like moths, we are cought in the spell of its allure, flying to it outward, to the moon and beyond, and flying to it, also, inward. On our planet itself all dividing horizons have been shattered. We can no longer hold our loves at home and project our aggressions elsewhere; for on this spaceship Earth there is no "elsewhere" anymore. And no mythology that continues to speak or to teach of "elsewhere" and "outsiders" meets the requirement of this hour
- Mythology is poetry, and the poetic language is very flexible. Religion turns poetry into prose
- Shakespeare said that art is a mirror held up to nature. And that's what it is. The nature is your nature, and all of these wonderful poetic images of mythology are referring to something in you. When your mind is simply trapped by the image out there so that you never make the reference to yourself, you have misread the image.
- Some such elementary course in comparative mythology as I have here suggested––conducted, however, by a team of scholar-specialists lecturing in their special fields and separately directing individual student projects––could be put together readily in any one of the major universities. It would serve not only to open to students a view of the whole range of possibilities before them, when they enter as wide-eyed youngsters the enchanted wood of the world's learning, but also to lead them along, through paths of their own choosing, to explorations of its deep groves.
- A mythology is an organization of symbolic narratives and images that are metaphorical of the possibilities of human experience and fulfillment in a given society at a given time.
- The archetypes to be discovered and assimilated are precisely those that have inspired, throughout the annals of human culture, the basic images of ritual, mythology, and vision.
- How mythology functions, why it is generated and required by the human species, why it is everywhere essentially the same, and why the rational destruction of it conduces to puerility, become known the moment one abandons the historical method of tracing secondary origins and adopts the biological view ... which considers the primary organism itself, this universal carrier and fashioner of history, the human body.
- The energies that move the body are the energies that move the imagination. These energies, then, are the source of mythological imagery: in a mythological organization of symbols, the conflicts between the different organic impulses within the body are resolved and harmonized. You might say mythology is a formula for the harmonization of the energies of life.
- The first condition, therefore, that any mythology must fulfill if it is to render life to modern lives is that of cleansing the doors of perception to the wonder, at once terrible and fascinating, of ourselves and of the universe of which we are the ears and eyes and the mind.
- The first condition, therefore, that any mythology must fulfill if it is to render life to modern lives is that of cleansing the doors of perception to the wonder, at once terrible and fascinating, of ourselves and of the universe of which we are the ears and eyes and the mind.
- The hero-deed is a continuous shattering of the crystallization of the moment. The cycle rolls: mythology focuses on the growing-point.
- I think of mythology as the homeland of the muses, the inspirers of art, the inspirers of poetry. To see life as a poem and yourself participating in the poem is what the myth does for you.
- The life of a mythology derives from the vitality of its symbols as metaphors delivering, not simply the idea, but a sense of actual participation in a realization of transcendence, infinity, and abundance.
- From the Pyrenees to Lake Baikal, the evidence now is before us of a Late Stone Age mythology in which the outstanding figure was the Naked Goddess. And she can already be recognized in a number of her better-known later roles: as Lady of the Wild Things, Protectress of the Hearth, Consort of the Moon-bull, who dies to be resurrected––with herself thereby a personification of the mystery of the moon, which has the power to shed its shadow (as the serpent sloughs its skin) to appear reborn. Not a few of her images suggest pregnancy: she was almost certainly a patroness of childbirth and fecundity.
- The new mythology is already implicit among us as knowledge a priori, native to the mind. Its images will be derived from contemporary life, thought, and experience, anywhere and everywhere, and the moral order to the support of which they are brought shall be of the unifying culture of mankind.
- The old gods are dead or dying and people everywhere are searching, asking: What is the new mythology to be, the mythology of this unified earth as of one harmonious being?
- The wonder is that the characteristic efficacy to touch and inspire deep creative centers dwells in the smallest nursery fairy tale—as the flavor of the ocean is contained in a droplet or the whole mystery of life within the egg of a flea. For the symbols of mythology are not manufactured; they cannot be ordered, invented, or permanently suppressed. They are spontaneous productions of the psyche, and each bears within it, undamaged, the germ power of its source
- When you see the Earth from the Moon, you don't see any divisions there of nations or states. This might be the symbol, really, for the new mythology to come. This is the country that we are going to be celebrating. And those are the people that we are one with.
- Mythology tells us that where you stumble, there your treasure is. . . . And where it seems most challenging lies the greatest invitation to find deeper and greater powers in ourselves. But where the power to respond succeeds, there comes a new amplification of life and consciousness.
- Mythology tells us that where you stumble, that's where your treasure is.
Results from the Myth Blasts of Joseph Campbell
- A Lover’s Quarrel With the World
- An Angel Kissed by a Demon
- Artistic Origins
- Between Heaven and Earth: The Hanged Man
- Changing Our Self-Perception As A Compassionate Deed For The World
- Creative Mythology: The Choreographer and the Spectator
- Ecstatic Failure
- Ego, Irony, and the Goddess
- Every Bloom a Blessing
- Fools Rush In
- Incarcerated, But Not Imprisoned: Joseph Campbell’s Hero Myth
- Journey Through Myth
- Lions and Tigers and Athena, Oh My!
- Listening to Hero
- Living Myths for Transformation
- Metamorphosis: Dreaming the New Songs
- Myth: The Grammar of Creativity
- The Vicarious Reaches of Cyberspace
- A Community of Inspired Teachers
- A Mind of Myth, Part II
- A Toolbox For the New Year
- Amor Fati – Love Your Fate
- Art as Revelation
- Beginnings and Endings
- Bliss is not Found in Faithfulness to Forms, But in Liberation From Them
- Campbell and Esalen: An Enduring Quest for Meaning
- Campbell, Virtual Reality, and Artificial Intelligence
- Creative Mythology: Revelation of the Real
- Cultivating Gratitude through the Transcendent Function
- Mythblast | Descent and the Birth of the Self
- Dreaming the Lotus
- Eclipse: It is in Darkness One Finds the Light
- El Niño Dios, the Goddess, and the Cross
- Flowers, Death, and the Mythology of Horror Films: A Midsommar Night’s Dream
- Following My Bliss
- Foreword to Myths of Light
- Forsaking the Easy for the Harder Pleasures
- Four Mysteries of Initiation in Pathways To Bliss
- From the Great Mother to the Age of Belief: Campbell on the Mythologies of Europe & the Middle East
- Funerals, The Devil, and Poison Ivy (Mythology of Horror Films)
- Hopi Kachinas: The Essence of Everything
- Independence and Hanging Together
- Joseph Campbell, Angela Gregory, and a Future Awaiting All of Us
- Joseph Campbell: Virtuoso of the Sublime
- Juno: Not Everyone Knows How to Love the Terrifying, Strange, or Beautiful
- Laughing Heroes
- Leaky Transcendence
- Life, Resurrection, and the Mythic Teachings of Frogs
- Love: A Modern Mythology
- May the Blessings of St. Patrick Behold You
- Mysteries of the Feminine Divine
- Myth and Magic
- Myth, Campbell & Film
- Mythic Play
- Mythopoetry in April
- Myths of Light
- Myths of Light — transcendence and reflection
- Myths We Love By
- Nerves of Myth, Part I
- Nerves of Myth, Part II
- OK, Boomer, Star Wars, and Myth
- Paleolithic Cave Art, Time, and Eternity
- Political Matters
- Practical Campbell Essay: Spirit Wind
- Practical Campbell | The Mythologist & the Muses
- Practical Campbell: Original Campbell
- Reawakening Wonder
- Renaissance
- Revolution of One
- Samhain: Sympathetic Magic
- Shiva and the Great Dance
- Strictly Platonic: The Clash Between Education and Sports
- Telling Big Stories: Paradox & Personal Myth
- Temenos and the Power of Myth
- The Afflictions of Philoctetes: The Work of Some Rude Hand
- The Ancient Craft of the Beautiful
- The Audacity of Independence
- The Birth of Tenderness
- The Ecstasy of Being: Mythology and Dance
- The Fortunate Fall
- The Grateful Dead, Adult Entertainment, and Native Tongues
- The Healing Fullness of the Wasteland
- The Hearth of Community
- The Human Symphony: Notes From Asia
- The Known and the Unknowable: A Meeting of Light and Dark
- The Labor of Following Your Bliss
- The Lively Art of Letter Writing
- The Love-Death
- The Mythology of Celebration
- The No in Inspired Learning
- The Paradox of the Outsideness of Myth
- The Place of Bliss
- The Power of Love Story
- The Power of Story to Enrapt and Entrap Us
- The Province of the Primitive
- The Radiant, Reordering Force of Art
- The Ripening Outcast
- The Season as Sacred
- The Secret Cause
- Mythblast | The Secularization of the Sacred and Mythic Identification
- The Still Point of the Turning World
- The Transparency of the New Year
- The Undiscovered Country
- The Unfinished Story
- The Use of Myth: The Power of the Fleeting Apparition
- The Uses of Myth: Disengage Your Arrows
- The War of Sport
- This Day, the Beginning of Works; Remembrance of the First Day
- Through The Looking Glass
- Thus Were the Meditations of the Serviceable Mind
- Underworld Initiation in Our Age
- Valentine’s Day
- Wearing the Mask of God
- What is Myth? It’s a Mythtery!
- What’s Old Is New Again: Primitive Mythology
- Wizards and Warriors Camp
- Worlds Above, Worlds Beneath – There is No One in the World Like Me
- MythBlast | King, Campbell, and the Ecstasy of Being
- MythBlast | The Flight of the Wild Gander: The Teacher as Midwife
- NewsBlast | Joseph Campbell’s Correspondence available for the first time
- NewsBlast | Mythic Ideas & Modern Culture Final Three Lectures Now Available!
- NewsBlast | Read Occidental Mythology as an eBook
- NewsBlast | Thank You – Bringing JCF into a New Year
- NewsBlast | The Ecstasy of Being is Now Available
- NewsBlast | The Historical Development of Mythology ePub
- NewsBlast | The Mythic Dimension is now open to you!
- NewsBlast | The Mythic Dimension now in paperback
- NewsBlast | Two New Audio Lectures from Mythic Ideas and Modern Culture
- NewsBlast | Flight of the Wild Gander now available as an ebook!
- One Forbidden Thing
- Origins are *Mythsterious.*
- Releasing the Dreamings
- Riddle Me This
- Sacrificial Origins
- Symbolons of Love
- The Antlered Child: Changing Shapes, Changing Souls
- The Blessing of Spiritual Poverty
- The Blooming of Truth: Campbell on the Mythic Past
- The Child of Symbolic Disguise
- The Festival of the Passing Forms
- The Fires of Love-Death
- The Grail Never Fails: Continue the Search in the New Year
- The Greatest Poem is Lyric Life Itself
- The Hanged Man: Patience in Being Stuck
- The Healing Integrity of Love
- The Holiness of the Heart’s Affections
- The Inner Reaches of Outer Space is Within Reach
- The Jewel In The Lotus
- The Magic of Describing the Perfect Pizza
- THE MANDALORIAN and Dangerous Origins
- The Many Faces of the Goddess
- The Metamorphic Journey
- The Mythical Game of The Green Knight
- The Principle of Honor: A Poor Substitute for the Real Thing
- The Round Table
- The Temptations of Metaphor
- The Union of Purposeful Polarities
- There and Back Again
- Thinking at the Edges of Joseph Campbell: The Future of the MythBlast Series
- Tracking the Wild Feminine
- UFO: A Living Myth of Transformation
- Virtue and Democracy
- Wand Envy
- What’s In A Name?
- When Mythology Meets Dance and Sounds
- Where There Is No Path And No Gate
- Why Not Dance?
Results from the Mythological Resources of Joseph Campbell
- ‘Harry Potter,’ Anime & Greek Mythology: Lindsey Stirling on What Inspired ‘Artemis’
- ‘Valley of Gods’ Explores Navajo Mythology
- 1 World – 1 Creation Myth – 1 Cosmology
- 10 Fiction Books to Read if You Like Mythology
- Archetypal Psychology
- Around the Horn
- Awaken to Your True Self: Why You’re Still Stuck and How to Break Through
- Bulfinch’s Mythology
- China’s Rich Mythology Harvested for Films
- Choreographer/JCF Co-Founder Jean Erdman Passes at 104
- Christopher Doyle Explores Mythology
- Classical Mythology
- Comic book superheroes: the gods of modern mythology
- Folklore and Mythology Electronic Texts
- French Artist Gerard Garouste’s Exhibition Inspired by Classical Mythology Comes to Delhi
- From the Gita to the Grail
- Goddesses in Everywoman: Powerful Archetypes in Women’s Lives
- Gods and Games: Toward a New Mythology of Play
- Graphic Novel ‘Jia and the Nian Monster’ Taps Chinese Mythology
- Great Goddesses: Life lessons from myths and monsters
- Group Exhibition to Explore Goddess Mythology, Gender Binaries and Archetypes
- Hero’s Journey Foundation
- High School World Mythology Textbook
- How to Ride a Dragon: Women with Breast Cancer Tell Their Stories
- Immanence: the Journal of Applied Mythology, Legend, and Folktale
- In the Footsteps of Joseph Campbell – France, Summer 2019 – Romance of the Grail with Evans Lansing Smith
- International Storytelling Festival Brings Mythology to Millennials
- Joseph Campbell & Marija Gimbutas Library
- Joseph Campbell’s Sarah Lawrence Mythology Class Reading List
- Literature and Film as Modern Mythology
- MICHAEL MEADE Mosaic Voices
- Moby-Dick & the Mythology of Oil
- Mythic Imagination Institute
- Mythic Meditations
- Mythical Figures: Uniform Edition of the Writings of James Hillman, Vol. 6 (James Hillman Uniform Edition)
- Mything Link
- Mythología Exhibition Opens at Loyola Marymount University
- Mythological Innovations in the Chaos Era – 2009 – 2018
- Mythologium 2021
- Mythology, Health and Healing – A Lecture From JCF President, Robert Walter
- Myths and Tales of the Chiricahua Apache Indians
- Mythweb
- New Exhibit From Devendra Banhart Inspired by Mythology
- Northern Mythology
- NYPL Archives: Joseph Campbell Papers
- Once and Future Myths: The Power of Ancient Stories in Our Lives
- One Woman’s Mind
- OPUS Archives
- OPUS Archives and Research Center
- Persian mythology comes alive in animated ‘The Last Fiction’
- PlanetShifter Magazine
- Running Clear
- Sacred Contracts: Awakening Your Divine Potential
- Sacred Mountains of the World
- Sharing in the Journey of the Hero
- Silk Road Journeys: When Strangers Meet
- Sober Heroes: A Look at Modern Mythology
- Star Wars: The Magic of Myth Exhibit
- TechGnosis
- The Children’s Book of Myths and Legends
- The Emerald Forest
- The Hero with an African Face: Mythic Wisdom of Traditional Africa
- The Hero’s Journey
- The Hero’s Quest and the Cycles of Nature: An Ecological Interpretation of World Mythology
- The Kore Goddess: A Mythology & Psychology
- The Lessons of Nature in Mythology
- The Marriage of Cadmus and Harmony
- The Myth of the Goddess: Evolution of an Image
- The Myth of the Year, Returning to the Origin of the Druid Calendar
- The Mythic Path: Discovering the Guiding Stories of Your Past-Creating a Vision for Your Future
- The Origins of the World’s Mythologies
- The Pegasus Doctrine
- The Rebirth of the Hero: Mythology as a Guide to Spiritual Transformation
- The Rise of Modern Mythology, 1680-1860
- The Scapegoat Complex: Shadow and Guilt
- The Secret of the Golden Flower: A Chinese Book of Life
- The Theoi Classical Texts Library (Theoi.com)
- The Way of Myth: Stories’ Subtle Wisdom
- The Western Hero in Film and Television
- The Work of Dennis Patrick Slattery
- The Writers Journey: Mythic Structure for Writers
- Thor: Ragnarok
- Tikkun: collected essays on poetry, myth, and literature
- Tolkien’s Ring
- Trickster Makes This World: Mischief, Myth, and Art
- USES OF COMPARATIVE MYTHOLOGY: Essays on the Work of Joseph Campbell
- World Myths and Legends in Art
Results from the Campbell in Culture of Joseph Campbell
- ‘The Mandalorian’ Has Many Talking Campbell
- Acclaimed Jeweler Points to Campbell as Inspiration
- Actress Pamela Anderson cites Campbell as Inspiration for Collecting Art
- Akira The Don & Joseph Campbell: The First Function of Mythology
- Being A Hero
- Burning Hero
- Campbell Cited in Psychiatric Times
- Campbell Inspires Book on Earth Mythology
- Creating the Star Wars Mythos
- Creators of Netflix’s Blood of Zeus Cite Joseph Campbell
- Dance Magazine Remembers Jean Erdman
- Delush Cites Campbell and ‘Hero’s Journey’ as Inspiration in New Album
- Expression Of The Oppressed
- Finding The Hero Within Us
- Joseph Campbell & Into The Woods
- Joseph Campbell and 21st Century Spirituality
- Joseph Campbell Centennial
- Listen to UW-Milwaukee Philosophy Professor Talk Campbell, Mythology, and Star Wars on NPR
- Myth or Money
- Mythology and the Psyche
- Mythology Lessons in the Digital Age
- Myths and Symbols
- NBA Legend, Kobe Bryant, Studied Campbell Deeply and Spoke of His Importance
- New Song and Video from Musicians more References Joseph Campbell
- Richard Stromer – A Lecture on Campbell
- Rituals and Influences
- Robert Downey Jr Nods to Joseph Campbell in Explaining Iron Man Resolution
- San Francisco Chronicle Recommends Celebrating Star Wars Day By Watching Joseph Campbell
- Stallone: “A Myth for Each Generation”
- Taylor Swift and Campbell’s Hero’s Journey
- The Heroine as the Modern Goddess
- Understanding Myth