Incarcerated, But Not Imprisoned: Joseph Campbell’s Hero Myth
Each month, we explore a theme through weekly MythBlasts, curated works, quotations, etc. This month's theme is Ages.
When I was invited by Dr. Mary Watkins, director of Pacifica Graduate Institute’s Liberation Psychology program, to volunteer to teach a correspondence course with inmates from a California state prison, I responded to her request with a course on personal mythology using Joseph Campbell’s The Hero With a Thousand Faces. Now, some 18 months later, I am so grateful that I did not refuse her call.
In their respective essays, I discovered that one shared experience the inmates wrote about is that Campbell’s mythic narratives as well as his own reflections in Hero gave them a story in which they could place their woundedness within a larger frame. One student was attracted to Campbell before we began working together through the Bill Moyers’ series, The Power of Myth. My course offering, he said, created an opportunity to explore Campbell further with guidance from the course structure and my writing meditations. But more importantly, many wrote that what they sought was a purpose in prison that the Hero, as well as other courses, encouraged and helped shape within them.
Continue Reading the Mythblast
Resentment, hostility, a sustained anger and feeling out of control—all emotions that initially placed some of my students in prison—yielded to a search for meaning through rekindling a spiritual life they had left behind, or exploring the practice of Buddhism, or attending programs on addiction. In their essays they expressed how Campbell’s stages in the hero’s journey illuminated their own histories wherein they either refused an earlier calling or had accepted their calling within the confines of prison life. Readings in the Hero volume validated many of their choices.
One student in particular wrote of how his inability to forgive himself and others who misled him in life resulted in his imprisonment. He used the metaphor of being turned into a monster by his unforgiving attitude. Reading Campbell, he saw his life’s path with increased clarity and realized that he could re-author the plot of his own story by using the stages of the hero’s journey. This template tempered his behavior and moderated his outbursts in prison.
Most dramatically, however, was that several inmates acknowledged Campbell’s authentic and compassionate prose had softened them and taught them to speak more deeply about their own self-annihilation and recovery. They also found meaningful parallels between 12-Step programs of recovery and Campbell’s stages of the hero’s journey. One student phrased it this way: “Working with the 12-Step program and Buddhist teachings, along with Campbell’s insights, helped me understand myself better and to live in a peaceful, healthy direction.”
On one assignment I asked, “Where in your own life have you found yourself following the pattern Campbell lays out in ‘Departure, Initiation, Return?’” (Hero 23-31) Their profound, insightful and authentic responses to this mythical pattern opened each of them to their own personal myth. In a word that Campbell uses often in his writing, they discovered “correspondences” with their own story.
I in turn realized more fully how myths can be aspirational by offering students a mythic narrative that they grasp as universal, and yet live out with great personal particularity. Two of them wrote that initially they reluctantly attended an AA meeting. Now, they host them. One discovered that he had talents as an artist; he sent me one of his paintings to share this newly-found form of personal expression. I should also mention that they found Campbell’s writing accessible, and filled with vitality and encouragement.
From this rich set of experiences, assisted directly by Campbell’s classic work, I became more aware of the power of myth to incite explorations into their own adventure. I have also noticed that, yes, they are incarcerated—some for life—but they are no longer imprisoned. By this I mean that imprisonment feeds the victim archetype, but by understanding themselves as incarcerated they locate a level of freedom that sustains them. Incarceration is physical, while imprisonment is psychological and mythic. Through reading and writing on sections of the Hero image, they envisioned their own narratives in a different, more complex light. Some remarked that in prison they have found a level of freedom never experienced before, in part because they felt they had reclaimed parts of themselves heretofore buried. The act of reclamation and self-affirmation is exactly the psychological move Campbell describes in The Masks of God, Vol. 3: Occidental Mythology: “The virtue of heroism must lie, therefore… not in the will to reform, but in the courage to affirm, the nature of the universe.” (319)
While meditating on their personal myth, prompted by Campbell’s insights, they expressed how they discovered their basic goodness: that the mistakes they made, often accompanied by substance abuse, no longer defined them. They ceased conflating their identity with their crime. Several admitted that assisting others in prison has gifted their lives with joy and a more generous orientation to life. The Hero’s journey affirmed and further supported their own life’s direction, a greater self-awareness, and the value of being in service to others.
Incarcerated, they nonetheless stepped out of their angry, resentful cocoon of self-imprisonment. One student admitted that he began once more to love who he is and to connect with others in similar compassionate ways. This latter may be the most valuable consequence of their development and the various faces of the hero played an instrumental part in achieving such self-acceptance.
Dennis Patrick Slattery
Dennis Patrick Slattery, PhD, is an Emeritus Core Faculty member at Pacifica Graduate Institute. where he has taught for the past 25 of his 45 years in the classroom. He is the author, co-author, editor or co-editor of 27 books. He has also published 200 articles in newspapers, magazines, journals, book collections and on-line journals. His books include The Idiot: Dostoevsky’s Fantastic Prince, The Wounded Body: Remembering the Markings of Flesh, with Glen Slater he co-edited Varieties of Mythic Experience: Essays on Religion, Psyche and Culture, and with Jennifer Selig he co-edited Reimagining Education: Essays on Reviving the Soul of Learning. He has authored Harvesting Darkness: Essays on Film, Literature and Culture; The Beauty Between Words: Selected Poetry of Dennis Patrick Slattery and Chris Paris; Simon’s Crossing, a novel co-authored with Charles Asher; Feathered Ladder: Selected Poems of Dennis Patrick Slattery and Brian Landis; Riting Myth, Mythic Writing: Plotting Your Personal Story; and Creases in Culture: Essays Toward a Poetics of Depth. More recently he has published Our Daily Breach: Exploring Your Personal Myth Through Herman Melville’s Moby-Dick; A Pilgrimage Beyond Belief: Spiritual Journeys through Christian and Buddhist Monasteries of the American West; with Evans Lansing Smith he has co-edited Correspondence; with Craig Deininger he has coauthored Leaves from the World Tree: Selected Poems of Craig Deininger and Dennis Patrick Slattery; and with Jennifer Leigh Selig and Deborah Ann Quibell he has co-authored Deep Creativity: Seven Ways to Spark Your Creative Spirit. For the past 9 years he has been taking painting lessons in both acrylic and water color mediums. He offers Riting Retreats exploring one’s personal myth in the United States, Canada, Ireland and Europe.
April 16-19, 2020, Dennis will be leading a workshop entitled Questing for Our Personal Myth in Santa Fe, New Mexico.
For more information, visit www.dennispatrickslattery.com
The virtue of heroism must lie, therefore . . . not in the will to reform, but in the courage to affirm, the nature of the universe.
The Masks of God 3: Occidental Mythology
Volume 3 of The Masks of God
“The high function of Occidental myth and ritual . . . is to establish a means of relationship—of God to Man and Man to God”. — Joseph Campbell.
Occidental Mythology is a systematic and fascinating comparison of the themes that underlie the art, worship, and literature of the western world. The Masks of God is a four-volume study of world religion and myth that stands as one of Joseph Campbell’s masterworks.
“Joseph Campbell used storytelling to explain his ideas more than any other tool. Gita Mehta, author of A River Sutra, uses the same tool to craft characters, themes, and, perhaps most importantly, places that reveal the universal that joins those that inhabit an area across generations. I invite you to wade into the waters of the Narmada River with me and explore this collection of stories, where we will discover love, lust, and the mysteries of that which is beyond us.”
Joseph Campbell Foundation
Christian & European Traditions, Part I (Audio: Lecture III.2.2)
Our gift to you this month is an audio lecture. Access this download for free until the end of the month.
News & Updates
July is the month of the Cenhenen Moon. Since the beginning of memory itself, Saanich Peoples of the Pacific Northwest welcomed the return to the earth of the humpback salmon at this time of year. Saanich spirituality has always emphasized special bonds of affinity between animal and human. Pink salmon were said to live in five groups in a “big house” beneath the ocean.
Water and our dependence on it are also central to the Zoroastrian observance of Ghambar Maidyoshem (ending this July 3) which recalls the creation of the rivers and seas.
I.1.3.3 - Royal Burials(audio clip source)
Psyche & Symbol - Apollonian vs Dionysian Dichotomy
Psychedelia: The History and Science of Mystical Experience(learn more)