Lions and Tigers and Athena, Oh My!
Each month, we explore a theme through weekly MythBlasts, curated works, quotations, etc. This month's theme is Ages.
This month we turn to Campbell’s volume Occidental Mythology. For most of us raised in the West, Western mythology is where we get our start investigating myth, and that means the Greeks. For me, the Yellow Brick Road of mythology began with Athena, Goddess of Wisdom. Technically speaking, as a philosopher, I was in school to go to work for her. She was the symbol that began to teach me to look beyond the metaphor, to see through it to what it was pointing toward— in Campbell’s language, to make the metaphor “transparent to transcendence.”
Having read through Campbell at this point, my thought process went something like this: “Surely Athena must be pointing toward a specific experience I already have access to, but have yet to connect back to the symbol.”
This was a lucky guess, but a standard Campbell approach to any myth, so I started thinking it through.
You’ve all seen Athena: sprung fully grown from the brow of Zeus, armed with a spear, a shield, a helmet, and accompanied by an owl. I knew all of this already and it didn’t help a damned bit. But I kept coming back to the front of her shield and the severed, angry, snake-covered head of Medusa.
You know that story, too.
It seems that Perseus was tricked into promising to get the head of Medusa for King Polydectes of Seriphus, who was lusting after Perseus’ mother.
Oh, those Greeks.
Continue Reading the Mythblast
The danger here was that anyone who looked directly at Medusa would be turned to stone. A lot of heroes had tried and failed. Fortunately, Hermes and Athena came to his aid, directing him to the Graiai, those three sisters who shared the one eye. Perseus was able to grab their eye, and refused to return it until they had told him how to slay Medusa. They did—and then provided him with the power to fly, become invisible, and even gave him a bag for Medusa’s head after he chopped it off. For symbolic purposes, it’s important to add that Athena loaned him her shield. That shield turned out to be the key.
Perseus caught up with Medusa, waited until she was asleep, and using the polished inside of Athena’s shield as a mirror, was able to cut off Medusa’s head without looking directly at her. He grabbed up the head, snakes and all, shoved it in the bag, and headed for home. On his way home he ran into Andromeda as she was about to be sacrificed to a sea monster, fell in love, held up the head to turn the monster to stone, saved Andromeda, etc.
At the end of the story, Athena took back her shield and stuck the head of the Medusa on the front as an aegis.
Those are the details.
Now, if myths are metaphors, then what is this metaphor for? If Athena is the Goddess of Wisdom, then she is a metaphor for Wisdom, and if that’s the case—you have to say it—it’s a little weird. Why would the Goddess of Wisdom be represented with the head of Medusa on the front of her shield? Taken at face value, wouldn’t this mean something like “anyone who approaches Wisdom risks being turned to stone”?
So I started to ask myself this question: what is the experience of approaching Wisdom?Could I remember any experiences where approaching Wisdom turned me to stone?
Between us chickens, I will confess attempting to approach Wisdom by getting stoned as a college student during the 1970s, but—and trust me on this one—this doesn’t really work. Sorry.
However, when I wondered about approaching Wisdom and being turned to stone metaphorically, everything started to click.
Here’s the beauty of it: everyone has had this experience.
Do you remember sitting down to do homework and gazing at a sprawling math problem you had to solve? A monstrous equation so big you wanted to give up and die? And do you remember becoming utterly immobilized in that moment? That’s the experience of being turned into stone by attempting to approach Wisdom without proper technique.
This still happens to me all the time. It happened the first time I tried to read Hegel—actually, it happens to everybody the first time they try to read Hegel—and the first time I tried to program my VCR, back when they made VCRs. You know what I’m talking about now, right? Being frozen, turned to stone, when you try to figure something out that’s too big for you at that moment?
So how in the world are you supposed to approach Wisdom if, at the first glance in Her direction, you get turned to stone?
Here is one of the characteristics of analyzing symbols I’ve become intimately acquainted with over the last 50 years: the answer is always a horrible pun.
Here’s the pun: The solution to the problem of approaching Wisdom, of getting past the head of Medusa staring back at you, is provided right there in the myth itself. The trick, of course, is to follow Perseus’s example and not approach Medusa, or Wisdom, directly.
You can only approach her through… are you ready?… “reflection.”
Told you it was terrible.
And suddenly, Athena made sense to me. Wisdom, which (for Socrates, at any rate) means recognizing your own ignorance, must only be approached after careful reflection. If you confront it directly, you’ll be immobilized.
You can see this in yourself, of course, in all those situations where you dig your heels in and refuse to admit you don’t know something you thought you did and, especially, in those who identify with beliefs – whether philosophical, religious, or political – that cannot endure a closer look. People like that are petrified by their own convictions, forever frozen in their understanding of themselves. The same fate threatens all of us who by-pass reflection in our attempt to become wise.
Technically, I still work for Athena but our relationship is now “mirrored” in the myth.
Thanks for musing along.
Mark C.E. Peterson is Professor of Philosophy and Religious Studies with the University of Wisconsin Milwaukee, and President of the International Society for the Study of Religion, Nature, and Culture. He began his work at the University of Toronto focused primarily on Hegel’s natural philosophy and its links to the history of science and technology. These interests evolved to constellate around the larger questions of how humans are related – scientifically, philosophically, and spiritually – to nature. A practitioner of both taijiquan and kundalini yoga for over 40 years his academic research is currently engaged in a semiotic analysis of the relationship between explanatory and narrative/mythological accounts of nature and an Aristotelian re-examination of environmental ethics.
Writer’s block results from too much head. Cut off your head. Pegasus, poetry, was born of Medusa when her head was cut off. You have to be reckless when writing. Be as crazy as your conscience allows.
The Masks of God 3: Occidental Mythology
Volume 3 of The Masks of God
“The high function of Occidental myth and ritual . . . is to establish a means of relationship—of God to Man and Man to God”. — Joseph Campbell.
Occidental Mythology is a systematic and fascinating comparison of the themes that underlie the art, worship, and literature of the western world. The Masks of God is a four-volume study of world religion and myth that stands as one of Joseph Campbell’s masterworks.
“Welcome to the House, a great maze of Halls and Vestibules whose Tides and Seasons Piranesi has painstakingly mapped in order to live seamlessly within them. The introduction of chaos—that is, humanity—into the House forces Piranesi to examine all he has taken for granted in his understanding of Life. Piranesi invites the reader to confront the changeable nature of truth and the fluidity of reality—and ultimately decide to which world they belong.”
Joseph Campbell Foundation
Christian & European Traditions, Part I (Audio: Lecture III.2.2)
Our gift to you this month is an audio lecture. Access this download for free until the end of the month.
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II.3.1.10 - Christian Mythic Themes(audio clip source)
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