Forum Replies Created
-
AuthorReplies
-
November 27, 2021 at 11:43 am in reply to: “The Beautiful, Hidden Harmony of Chaos,” with futurist Kristina Dryža #6569
Thank you James. I love how these conversations infuse and live in us. Sometimes they need a response, and at other times, they just need to sink into our bones and then through some sort of osmosis, a certain type of magic occurs. Until we meet again – Kristina.
November 19, 2021 at 5:46 am in reply to: “The Beautiful, Hidden Harmony of Chaos,” with futurist Kristina Dryža #6516Thank you James for your astute insights.
A few additional thoughts that I can offer.
A good question to often ask ourselves is, ‘How is my relationship with the unknown developing?’ Bearing in mind that the unknown doesn’t always mean dangerous.
Our wounded ego often manipulates our energy so that there’s no room for the unknown. And we can’t manage chaos through the strategies of our old self. We can’t grow by staying where we are. But there’s a part of us that struggles to trust that this cycle has its own intelligence and timing.
To meet chaos we require spaciousness within ourselves first. If there’s no space inside, we can’t do anything with the insights, which chaos brings. It’s like a blocked funnel that gets stuck. It’s why meeting chaos takes alignment, not time. We’re yielding to the spirit, allowing the sheer force of divine creativity – an ephemeral vitality – to flow through us.
And it’s not that there’s anything ‘wrong’ when depression or chaos visits us, it’s just that there’s something else that life is trying to show us. We’re given a chance to recalibrate our truth. Rather than binary thinking of right or wrong, it’s about the revelation . . . or its possibility. We withdraw to hear something brand new that wants to live inside us. And we find ourselves in the apparent emptiness, not in the reflex actions. This is why we need our temenos, to place all that which we have previously censored and not given voice to, so it can be held, witnessed and integrated.
And this is what I referred to in the essay regarding self-sabotage. ‘Am I incubating a new self? Or am I stuck in the slow lane with imaginary blockades of my own making?’ When we make chaos or depression an ally and hold it close like a dear, beloved companion, the less power it has over us. It only wants to be seen. To be recognised and acknowledged.
And thank you for posting the descriptions too. Most helpful – Kristina.
November 16, 2021 at 2:12 pm in reply to: “The Beautiful, Hidden Harmony of Chaos,” with futurist Kristina Dryža #6510Hi Stephen,
What I’m hearing in your response is how important it is to ground our mercurial function. To give it form, a vessel of containment. But paradoxically, the more we are an empty vessel, the more we can create a holding space for our own discoveries.
It begs us to ask, ‘Where is the sacred thread of ritual in my life? Where’s the emotional alchemy?’ Because venturing into the unknown can come at such an extortionate cost, we must know where the vessel is, which can contain the shattering.
It’s our duty to create this alchemical vessel – the temenos – the sacred container for our experiences. And it seems to me, you have that down pat! Kristina.
November 13, 2021 at 3:51 pm in reply to: “The Beautiful, Hidden Harmony of Chaos,” with futurist Kristina Dryža #6503Always a pleasure to be here in this forum with you Stephen and the COHO community. And thank you for calling the essay a meditation. It certainly felt like that for me when I was writing it, despite the subject matter.
My first thought is, ‘Is disruption chaos?’ Our intellect doesn’t function well in chaotic periods, so we’re required to defer to our intuition and imagination, but I notice that many people cope quite fine intellectually with disruption. It may be semantics, but just as an example, ‘chaos’ is necessary for alchemy, but is ‘disruption?’ I would argue ‘no,’ so I’m going to address your question via the word ‘disruption.’ And forgive me if I digress, but I’ll try to answer the essence of your questioning tangentially through the lens of the workforce, not specific industries.
I feel many people in the corporate world approach disruption in the ‘wrong’ way. Namely, you can’t plan for disruption. It exists in real time. Many companies struggle with this because most of the data they look to create with is coming from the past. But when working with disruption we must make ourselves a ‘verb’ in present time, not a ‘noun.’ And we disrupt not as a one-off event, but so that it becomes an intrinsic part of us. Those who have successfully brought disruption to the market by reimagining new possibilities have done so because within themselves, and those they work with, they spend the majority of their time with present data and being ‘verbs.’
But, if you were a manager thinking about your next hire – and be honest here – would you choose the most disruptive person for the job? You may like to think that you’d say ‘yes,’ but most people would say ‘no.’ You wouldn’t want them anywhere near you as they challenge everything about who you are, and what you believe in, and your comfort with the known world. And what do we like to call them – trouble makers, whistle blowers, people who rock the boat – until they become a Steve Jobs or Elon Musk and the like and then we call them geniuses, visionaries and pioneers.
Very few individuals have enough self-esteem, well, I’d actually say soul-esteem, to be around someone that disrupts them. And very few people want a disruptive person on their team. Are they going to show up for work today? Will they embarrass the team? Will they be communing with nature for inspiration rather than trawling online reports for something supposedly new and inspired like the other sheeple? (a portmanteau of sheep and people to describe herd behaviour) If they march to their own beat, how will we control them?
And if you were a CEO, would you hire the most disruptive person for the board who directly challenges the mediocrity of other board members that didn’t gain their position through meritocracy? Would you select the most disruptive candidate who highlights the current, uninspired vision and poor performance of the board? You’d say, ‘get real’ and choose safety, though the inner rebel in you wishes otherwise. This is the challenge, which confronts many CEOs, department heads and HR managers, while in the same breath (and often while they’re speaking at conferences) they’re espousing the need for an innovative, creative workforce!
To disrupt requires disruptive thinking, allowing disruptive feelings and taking disruptive actions on a daily basis. Many in the corporate world think that they can just ‘strategy away day’ this topic, or put someone else’s disruptive ideas into a PowerPoint presentation and try to implement them second-hand, or vicariously, by reading the latest bestseller out of Silicon Valley with ‘disruption’ in the title.
We must break the spell of thinking disruption is doing the same thing just better, faster, and cheaper. Disruption is a state of being, not a technology. And the best way to avoid actually changing is to go into our heads and endlessly argue about what ‘disruption’ even means. Our minds love to evaluate, oppose, critique, judge etc. but rarely do we hit the streets embodying the discussion of our feverish, small minds, so with that, I shall stop here.
I look forward to engaging the plethora of ways in which chaos meets and finds you this week – Kristina.
February 26, 2021 at 7:24 pm in reply to: “Metamorphosis: Dreaming the New Songs,” with MythBlast author Kristina Dryža #4948Musica universalis!
February 26, 2021 at 7:21 pm in reply to: “Metamorphosis: Dreaming the New Songs,” with MythBlast author Kristina Dryža #4947Dear NT,
Thank you for your message.
I didn’t interpret the quote as a distinction between extroverts and introverts at all. For me it spoke to a belonging of perception. Today with our preoccupation with data, we might say that the focus is on data scientists and their interpretation of numbers and algorithms, but what of the data artists? We need both data scientists and data artists for sensemaking. Instead of the either/or polarity, which we mostly exist in, can we embrace both/and instead? How do we make both grounds sacred? For example, we don’t ‘live’ in either the upper or the underworld but both the upper and the underworld. We both descend to the land of the dead and also attend to the land of the living.
To me the quote spoke to one’s mystical participation in life, as well as to where one finds sacred nourishment. Where to find this camaraderie in the sharing of our tender hearts as we marvel at both the finite and the infinite, both the groundedness and the grace (even the grounded grace!) and both the literal and the symbolic, which you so aptly mention, when so many of us feel that our mystical longings must be reduced to a tough-minded practicality?
All the books in the world containing mystical truths don’t have any value until we begin to live these truths. And it’s a challenge for us all to read and listen without opinion so that something greater may reveal itself. To me it’s not about solely dissecting the biases, but also embracing Rumi’s words: “Out beyond ideas / of wrongdoing and rightdoing, / there is a field. / I’ll meet you there.”
Very best, Kristina.
February 26, 2021 at 9:01 am in reply to: “Metamorphosis: Dreaming the New Songs,” with MythBlast author Kristina Dryža #4943Thank you for your message Robert and the back stories.
A delight as U2 are one of my favourite bands. Often when I am struggling with a project they are my ‘go to’ for inspired background music.
A few of my favourite songs from them are ‘Original of the Species,’ ‘Window in the Skies’ and ‘Ultraviolet (Light My Way)’ – and I especially love The Killers cover of this song. And if it’s a particularly tough project, I play the ‘Ăhk-to͝ong Ba͞y-bi’ covers loud and on repeat.
And these two quotes from Bono really speak to me. “The problem with rock now is that it’s trying to be cool. But clear thoughts and big melodies – if they come from a true place, they not only capture the instant, they become eternal in a way.” And about the making of the song ‘Where the Streets Have No Name’ where Bono said it’s unfinished and that there are things he would change about the song’s lyrics. “The frontman of the Irish band revealed what producer Brian Eno told him to reassure him about the lyrics. Brian said, ‘Incomplete thoughts are generous because they allow the listener to finish them,’ Bono revealed. As a songwriter I have to realise that the greatest invitation is an invocation.”
Very best, Kristina.
February 23, 2021 at 8:19 pm in reply to: “Metamorphosis: Dreaming the New Songs,” with MythBlast author Kristina Dryža #4924Dear R³,
Thank you for the message. No, it wasn’t intentional but I do love the U2 song ’40’ with the lyrics:
“I will sing, sing a new song
I will sing, sing a new song
How long to sing this song?
How long to sing this song?
How long, how long, how long
How long to sing this song?”
This version live in Chicago is my favourite (with Yahweh): https://www.youtube.com/watch?v=SEV-Y3b_hvw
Very best, Kristina.
PS In Lithuania we have the Black Madonna of Vilnius.
February 23, 2021 at 7:44 pm in reply to: “Metamorphosis: Dreaming the New Songs,” with MythBlast author Kristina Dryža #4923Dear Stephen,
Thank you for your message. Maybe to begin we can attempt to be on the same page by questioning what is a myth? Joseph Campbell said myths represents the human search for what is true, significant and meaningful. Christine Downing saw the Greek view of the gods as energies that affect everyone. For Carl Jung, the primary function of myth is psychological – to shed light on the workings of the unconscious. And according to James Hillman, “polytheistic psychology can give sacred differentiation to our psychic turmoil.” For him myths are aide-mémoires i.e. sounding boards employed “for echoing life today or as bass chords giving resonance to the little melodies of life.”
Myths move us from the conceptual to the experiential. They provide a larger container as there’s many characters and there’s room for them all – our internal contradictions needn’t tear us apart. We don’t go to myths for ‘the’ answer singular but for wisdom and deeper universal insight, which we often can’t access when we’re in our own personal despair. They become a valuable touchstone, and as David Miller said, “Myths don’t ground, they open.”
Others describe myths as stories that are not true outside but are true inside. They are metaphorically meaningful. They are stories that have significance in life. We could say that we are all ancient Greeks, or ancient Egyptians, or ancient Hebrews. Our collective psyche responds to the images in myths. Myths are descriptive of our unconscious processes and they link inner and outer worlds via personification.
When we engage mythic material it allows for an encounter with the unconscious. So how do we understand ourselves as reflected by the gods and goddesses in these myths? One way is to have imaginative encounters with these mythic figures. We can actually turn our emotions into images. For example, my despair feels like Demeter’s, my shock feels like Persephone’s, this task feels Sisyphean.
Symbolism can bring structure to emotional confusion and can help us hold our deeper psychological experiences. So can we engage myths to help us perceive what’s actually going on in our life right now? Because even though we may not recognise it, we’re nursed by these archetypal images. They provide a psychological cradle for the lived experience. Quite simply, with no underlying story, we’re more anxious. It’s ‘you’ as an individual struggling on a long, adventurous journey, not ‘you’ as a representation of Odysseus in Homer’s ‘Odyssey.’ The underlying myth provides the cradle to view life as a divine drama. And our lives are lived on the back of a bigger story when the personal meets the mythical. The creative mythology, which Campbell so eloquently spoke about, is the need to connect to deeper archetypal patterns as they form the blueprint for why myths matter. They’re part of our cultural forms and myths are the most fundamental patterns of society.
So how do we think mythically and sense archetypally? How do we wear glasses of the mythos and not solely the logos? Firstly, literally. Reading Stephen Fry’s book ‘Mythos: A Retelling of the Myths of Ancient Greece’ is a good start. And secondly, metaphorically we can use the images in myths and dreams to explore our inner lives as they help us move from viewing the human experience in a flat way to instead be a lived, embodied experience, which is why Jesus and other great teachers spoke in parables – as it engages the feelings and imagination. These universal patterns can then come through in a fresh, alive and spirited way. We get forced into literalism if we can’t grasp the metaphorical. These mythic figures are metaphors of imagination and allow us to view movements in our psyches, if we can only perceive them.
Very best, Kristina.
February 22, 2021 at 7:25 pm in reply to: “Metamorphosis: Dreaming the New Songs,” with MythBlast author Kristina Dryža #4896Dear R³,
Thank you for your message. Yes, we are a product of seasonal ebbs and flows. I feel today though that we’ve often lost the ability to sense ourselves into the seasons, other than say through seasonal eating. How can we feel these rhythms viscerally? Can we internally sense ourselves blossoming, ripening, maturing and waning? Can we enter into our own seeding and sprouting? Can we simultaneously experience the musical and poetic moods that accompany the seasonal transitions? And how can society and our environment provide us with an invitation to reflect, re-image and re-imagine these seasonal energies? To vision and re-vision our experience of time?
There’s a potent, dreamy quality that comes from living in images, myths, symbols, fairy tales, the incantational rhythmic nature of poetry, musical melodies and the seasons. They contain worlds calling to us beyond the quotidian life. But can we unplug from our devices for long enough to notice them?
Very best, Kristina.
PS This comment on the YouTube clip you posted says it well. “Possibly the greatest cover of this song ever produced. Also possibly the most awful video ever made.”
February 22, 2021 at 7:09 pm in reply to: “Metamorphosis: Dreaming the New Songs,” with MythBlast author Kristina Dryža #4895Dear Charles,
Thank you for your message. I wholeheartedly agree that we must first descend to the depths if we are to rise to the heights in a stable way. If we transcend without first redeeming what’s been neglected, then the transformation is incomplete. There was a need for Persephone to marry the darkness and move out of the fierce identification with a life lived solely on the surface, on the horizontal plane. The only way for her to be free as Demeter’s daughter is to eat the pomegranate seeds. To only be free as the daughter of life is not possible, one must also know death. And not just know death, but be its consort and intimate partner. There’s an ancient Mesopotamian saying – “No one comes back from the underworld unmarked” – and I feel the underworld provides us with a certain verticality so that we may perceive what you so eloquently wrote in your response.
No, I haven’t read the works of Algis Uzdavinys, but now I shall. Thank you for the recommendation.
Very best, Kristina.
February 20, 2021 at 11:30 am in reply to: “Metamorphosis: Dreaming the New Songs,” with MythBlast author Kristina Dryža #4868Thank you for the thoughtful questions Stephen. And hello dear audience! I look forward to being in conversation with you this week.
I found in my Inbox a horoscope I saved from 2013 by Rob Brezsny: “PISCES (Feb. 19-March 20): After studying the myths and stories of many cultures throughout history, Joseph Campbell arrived at a few conclusions about the nature of the human quest. Here’s one that’s apropos for you right now: ‘The cave you fear to enter holds the treasure you seek.’ He came up with several variations on this idea, including this one: ‘The very cave you are afraid to enter turns out to be the source of what you are looking for.’ I urge you to consider making this your operative hypothesis for the coming weeks, Pisces.”
I’m sure that it’s like this for many people. You don’t know who Joseph Campbell is one day, and then the next day, you’re spending all your time wanting to know just exactly who this person is! And then a few years later he appeared in one of my dreams.
And something obviously ‘clicked’ as I cashed in my life insurance to go to ‘The Mythological Toolbox™ PlayShop’ at the Esalen Institute in 2016!!! I felt there would be far more safety and security found in the week at Big Sur, California with a group of strangers revisioning our hero’s journey than in any false security that the future could potentially provide. I find the myths protect me in a very different way and are a separate type of life insurance policy.
While I was raised in Australia, all my grandparents are Lithuanian and so I was vaguely familiar with the work of Marija Gimbutas and it was so wonderful to visit her and Campbell’s library that same year as I also travelled to Pacifica Graduate Institute for the ‘Climates of Change and the Therapy of Ideas’ conference. It was certainly a rite of passage for me. Now being in Lithuania during the pandemic (we are still currently in lockdown) and being able to connect to my ancestral and mythological roots in the old-growth forests on the Baltic Sea coast, it puts what first drew me to Campbell – the Grail Mysteries – into context.
Interestingly I purchased ‘The Flight of the Wild Gander’ during the PlayShop (where I also happened to partake in way too much of Campbell’s favourite whisky during his 112th birthday celebrations!) and the book travelled home with me to eventually sit on a bookshelf in Adelaide and is now in storage, never once having been opened. Reading the PDF to write the article for this MythBlast I realised how often we need life to initiate us before we can meet certain ideas, people and experiences. The book may have always been sitting there waiting for us to read, but we’re not always ready to meet the content that waits for us inside. An inner dimension first needs to be carved and hollowed out in us so that the words have a place to land. Can we be that empty vessel to receive the wisdom?
When I grew up Campbell was only known amongst a certain audience in Australia but now the popularised monomyth and films like ‘Finding Joe’ means that there’s a growing recognition amongst more people of the importance of developing a mythic consciousness and an archetypal eye, as well as engaging a poetic and symbolic imagination. After the PlayShop, as I travelled the furthest to attend, it was my responsibility to take some stones from our week-long death and rebirth initiation ritual at Esalen to Uluru, and so in some very tiny way, I feel that there is now a connection with Campbell’s work and the Australian soil.
Thank you also for your kind comments on my essay, Stephen. Like in nature and our own lives (personal and corporate), it can’t always be spring. But we don’t know how to make space in our psyches and in society for the destroyer archetype. Destruction is the right hand of creation. We can’t have constant creation, constant growth, nor constant spring. We need exnovation as much as we do innovation. (Exnovation is characterised by the deconstruction of systems, practices or technologies that no longer serve what wants to emerge.)
There are few spaces in the industrial growth society for rest, decay and putrefaction. These things run counter to the capitalist agenda and a growth economy. There’s rarely time for reflection, a harvesting of what’s been learned, nor the stillness that a fallow field requires as new growth seeds and buds. As the Persephone and Hades myth articulates, there’s the necessary abduction from engagement with a life lived solely on the surface. We need to know what calls us to our depths and we’re often positioned in Hades to learn to trust the cycles of nature and that what comes to life is seeded by what is unseen.
The liminal space is where transformation occurs for it’s the calling card of the fertile void. The process of decomposition returns richness to the soil, which in the meantime provides regeneration and is the midwife to many varieties of a renaissance (in the greater meaning of the word). We have to question though why doing nothing is often times linked to laziness, when in fallow times what’s occurring is highly constructive – but invisible – to the naked eye as new growth is germinating and waits to be born. The undoing, unlearning and unknowing of ourselves is the very compost for seeding the fecundity of imagination.
So how to bring this into a corporate setting? I usually begin with exploring how we are nature. What we breathe out affects the world around us: we exist within a greater ecosystem. All life breathes together. The cycle of birth, growth, full bloom, harvest, decay, death and rebirth occurs in the sun, moon, seasons, plants, animals, humans and businesses. And lack of rhythm can be disastrous in business.
We cannot break the patterns of nature, only ourselves against them. And once people admit and witness the cost of going against nature – as well as their own nature – and grieve what’s been lost, only then is there the possibility to make way for the new. By turning away from the obsession with infinite, linear growth on a finite planet and shifting our attention to new frames of growth – flux, constant change, death and rebirth (both individually and collectively) – we then begin to sense the fragile web of creation that yokes us all.
By living in alignment with the patterns of the natural world, and the illumination that the mythic and archetypal world bestows, we fixate less on prediction and concern ourselves more with presence. This enables us to better relax into the future as we learn to make the mysterious and the unknown our permanent home. Rather than constantly being consumed with ‘what’s next,’ we can instead focus on ‘what’s sacred.’
Thank you all for the listening ear. I very much look forward to hearing from you – Kristina.
-
AuthorReplies
FAQ: Community
Before you start posting and responding in these forums, please read and follow the following guidelines:
- 1. Respect Others You may certainly take issue with ideas, but please — no flaming / ranting, and no personal or ad hominem attacks. Should the opinion of another forum member spark your anger, please take a deep breath, and/or a break, before posting. Posts must be on topic – related to mythic themes.
- 2. Respect Others’ Opinions These are conversations, not conversions. “Conversation” comes from the Latin words con (“with”) and verso (“opposite”). We expect diverse opinions to be expressed in these forums, and welcome them – but just because you disagree with what someone has to say doesn’t mean they don’t get to say it.
- 3. Come Clear of Mind In addition to expanding the mind, certain substances (alcohol, cocaine, marijuana, LSD, etc.) have been known to impair good judgment. We recommend you keep a journal while under the influence and then later make more rational determinations regarding what is appropriate to share in this forum.
- 4. Respect This Space The Joseph Campbell Foundation, a US not-for-profit organization, offers this forum as part of our mission of continuing Mr. Campbell’s work of increasing the level of public awareness and public discourse with regards to comparative mythology.
- 5. Avoid Contemporary Politics Given the volatile nature of contemporary political discourse, we ask that members steer clear of candidates or current political controversies. Forum members come from across the political spectrum. There are other fora across the internet for discussing myth and politics.
- 6. Be Polite Forum members come from many different sets of cultural assumptions, and many different parts of the world. Please refrain from language whose only purpose is offense. If it helps, imagine your grandmother reading forum posts – as perhaps she may, since other folks’ grandmothers are.
- 7. Refrain from Sexually Explicit Posts Please do not make sexually explicit posts within these forums, unless they are absolutely germane to the discussion underway – and even in that case, please try to warn readers at the top of your post. Not all members have the same threshold when it comes to taking offense to language and pictures. NOTE: Under no circumstances will we condone the posting of links to sites that include child pornography, even inadvertently. We will request that such links be removed immediately, and will remove them ourselves if compliance is not forthcoming. Any Associate knowingly posting such links will be suspended immediately; we will forward a snapshot of the offending page, the web address and the associate’s contact information to the appropriate criminal authorities
- 8. Refrain from Self-Promotion Announcements linking to your new blog post, book, workshop, video clip, etc., will be deleted, unless they are demonstrably part of the greater conversation. The only exception is the Share-Your-Work Gallery, a subforum within The Conversation with a Thousand Faces. If you have art, poetry, writing, or links to music and other work you would like to share, do so here.
- 9. Search First If you’re thinking of starting a new topic, asking a question, etc., please take advantage of the search functionality of this forum! You can find the search field above the list of forums on the main page of the forums. Also, consider searching on the greater JCF website – this site is full of amazing resources on a wide variety of topics, all just a search away.
- 10. Report Violations If you witness or experience behavior that you feel is contrary to the letter or spirit of these guidelines, please report it rather than attacking other members. Do this by choosing the Report button (next to “Reply”) at the top of the post, and select a reason from the dropdown menu (Spam, Advertising, Harassment, or Inappropriate Content). The moderation team will be notified. Depending on the degree of bad behavior, further posts might require approval, or the user could be blocked from posting and even banned.
- 11. Private Messages Forum guidelines apply to all onsite private communications between members. Moderators do not have access to private exchanges, so if you receive messages from another member with inappropriate or hostile content, send a private message (with screenshots) to Stephen Gerringer and/or Michael Lambert.
Visit the Contact the Foundation page, select Technical Support, and fill out the contact form.
The Conversations of a Higher Order (COHO) consists of ten public forums loosely focused on a central theme. The forums are listed, with a brief description, on the COHO home page (each forum listed on that page also appears in the same order in the menu in the lefthand column – that menu stays with you as you move about the forums). This also shows who created the last post in each forum, and when.
When you visit a specific forum you will see the list of topics people have posted so far in that forum. Click on one to read that post and any replies. Feel free to add a reply if you have something to share, or just enjoy following the conversation. You can return to the COHO home page by clicking the "Home>Forums" breadcrumb at the top of the page – or move directly to a different forum by clicking on one of the listings from the forum menu in the lefthand column of the page.
If there’s anything you want to introduce – a question, an observation, or anything related to Campbell, myth, or one of his many related interests – create a topic in the forum you feel comes closest to including the subject you want to discuss. Most forums include in their description a link to a corresponding part of the website. For example, The Work of Joseph Campbell description has a link to all his published works: you can of course focus on a specific book or lecture, but also any topic related to the ideas arising out of his work is welcome in that forum.
When posting a new topic or a reply to an existing conversation, check the “Notify me of follow-up replies via email” box (conversations unfold at a leisurely pace: someone might need a few days to let what you write simmer in the back of their brain – this is how you find out someone has replied), and then click Submit. You can also click "Favorite" (top of the page on the right when reading forum threads) to be notified of all responses in a discussion.
Click on the Profile link under your user name in the upper left corner above the forum menu. Then select Edit and follow the prompts to upload an image file from your computer.
When you finish your post, before clicking the Submit button check the box at the bottom of your post that reads, “Notify me of follow-up replies via email.” You can also click on “Subscribe” (in the upper right corner of a thread) to follow the complete conversation (often a comment on someone else’s post might inspire a response from you).
We ask that when linking to web pages, please avoid posting the raw URL address in your text. Highlight the relevant text you'd like to link in your post, then select the link icon in your formatting bar above your post (immediately to the left of the picture icon, this looks like a diagonal paperclip). This opens a small field:
Paste the URL of the page you are linking to into the field provided. Then click on the gear icon to the right of that field, and check the box that says “Open link in a new tab” (so readers can see your link without having to navigate back to the forums), before clicking the green “Add Link” button.
To add an image to your post, click on the image icon in the menu at the top of your post (it's the icon on the far right):
In the Source field of the pop-up form, click on the camera icon on the far right. This should give you access to the files on your PC / laptop, or the photo library on your mobile device. Select the image, and add a brief description (e.g., "Minoan Goddess") in the appropriate field.
In the dimensions field, you only need enter the first number (240 is a good size for starters; if too small click the edit icon and increase that number). Then select OK.
Click on the name of the person you want to contact (under their avatar in a any of their posts). This link will take you to that member’s profile page. Then click on “Send a Message,” and compose.
If you witness or experience behavior that you feel is contrary to the letter or spirit of these guidelines, please report it rather than attacking other members. Do this by choosing the Report button (next to “Reply”) at the top of the post, and select a reason from the dropdown menu (Spam, Advertising, Harassment, or Inappropriate Content). The moderation team will be notified. Depending on the degree of bad behavior, further posts might require approval, or the user could be blocked from posting and even banned.
Visit the Contact the Foundation page, select Community and Social Media, and fill out the contact form.
FAQ: Community
Before you start posting and responding in these forums, please read and follow the following guidelines:
- 1. Respect Others You may certainly take issue with ideas, but please — no flaming / ranting, and no personal or ad hominem attacks. Should the opinion of another forum member spark your anger, please take a deep breath, and/or a break, before posting. Posts must be on topic – related to mythic themes.
- 2. Respect Others’ Opinions These are conversations, not conversions. “Conversation” comes from the Latin words con (“with”) and verso (“opposite”). We expect diverse opinions to be expressed in these forums, and welcome them – but just because you disagree with what someone has to say doesn’t mean they don’t get to say it.
- 3. Come Clear of Mind In addition to expanding the mind, certain substances (alcohol, cocaine, marijuana, LSD, etc.) have been known to impair good judgment. We recommend you keep a journal while under the influence and then later make more rational determinations regarding what is appropriate to share in this forum.
- 4. Respect This Space The Joseph Campbell Foundation, a US not-for-profit organization, offers this forum as part of our mission of continuing Mr. Campbell’s work of increasing the level of public awareness and public discourse with regards to comparative mythology.
- 5. Avoid Contemporary Politics Given the volatile nature of contemporary political discourse, we ask that members steer clear of candidates or current political controversies. Forum members come from across the political spectrum. There are other fora across the internet for discussing myth and politics.
- 6. Be Polite Forum members come from many different sets of cultural assumptions, and many different parts of the world. Please refrain from language whose only purpose is offense. If it helps, imagine your grandmother reading forum posts – as perhaps she may, since other folks’ grandmothers are.
- 7. Refrain from Sexually Explicit Posts Please do not make sexually explicit posts within these forums, unless they are absolutely germane to the discussion underway – and even in that case, please try to warn readers at the top of your post. Not all members have the same threshold when it comes to taking offense to language and pictures. NOTE: Under no circumstances will we condone the posting of links to sites that include child pornography, even inadvertently. We will request that such links be removed immediately, and will remove them ourselves if compliance is not forthcoming. Any Associate knowingly posting such links will be suspended immediately; we will forward a snapshot of the offending page, the web address and the associate’s contact information to the appropriate criminal authorities
- 8. Refrain from Self-Promotion Announcements linking to your new blog post, book, workshop, video clip, etc., will be deleted, unless they are demonstrably part of the greater conversation. The only exception is the Share-Your-Work Gallery, a subforum within The Conversation with a Thousand Faces. If you have art, poetry, writing, or links to music and other work you would like to share, do so here.
- 9. Search First If you’re thinking of starting a new topic, asking a question, etc., please take advantage of the search functionality of this forum! You can find the search field above the list of forums on the main page of the forums. Also, consider searching on the greater JCF website – this site is full of amazing resources on a wide variety of topics, all just a search away.
- 10. Report Violations If you witness or experience behavior that you feel is contrary to the letter or spirit of these guidelines, please report it rather than attacking other members. Do this by choosing the Report button (next to “Reply”) at the top of the post, and select a reason from the dropdown menu (Spam, Advertising, Harassment, or Inappropriate Content). The moderation team will be notified. Depending on the degree of bad behavior, further posts might require approval, or the user could be blocked from posting and even banned.
- 11. Private Messages Forum guidelines apply to all onsite private communications between members. Moderators do not have access to private exchanges, so if you receive messages from another member with inappropriate or hostile content, send a private message (with screenshots) to Stephen Gerringer and/or Michael Lambert.
Visit the Contact the Foundation page, select Technical Support, and fill out the contact form.
The Conversations of a Higher Order (COHO) consists of ten public forums loosely focused on a central theme. The forums are listed, with a brief description, on the COHO home page (each forum listed on that page also appears in the same order in the menu in the lefthand column – that menu stays with you as you move about the forums). This also shows who created the last post in each forum, and when.
When you visit a specific forum you will see the list of topics people have posted so far in that forum. Click on one to read that post and any replies. Feel free to add a reply if you have something to share, or just enjoy following the conversation. You can return to the COHO home page by clicking the "Home>Forums" breadcrumb at the top of the page – or move directly to a different forum by clicking on one of the listings from the forum menu in the lefthand column of the page.
If there’s anything you want to introduce – a question, an observation, or anything related to Campbell, myth, or one of his many related interests – create a topic in the forum you feel comes closest to including the subject you want to discuss. Most forums include in their description a link to a corresponding part of the website. For example, The Work of Joseph Campbell description has a link to all his published works: you can of course focus on a specific book or lecture, but also any topic related to the ideas arising out of his work is welcome in that forum.
When posting a new topic or a reply to an existing conversation, check the “Notify me of follow-up replies via email” box (conversations unfold at a leisurely pace: someone might need a few days to let what you write simmer in the back of their brain – this is how you find out someone has replied), and then click Submit. You can also click "Favorite" (top of the page on the right when reading forum threads) to be notified of all responses in a discussion.
Click on the Profile link under your user name in the upper left corner above the forum menu. Then select Edit and follow the prompts to upload an image file from your computer.
When you finish your post, before clicking the Submit button check the box at the bottom of your post that reads, “Notify me of follow-up replies via email.” You can also click on “Subscribe” (in the upper right corner of a thread) to follow the complete conversation (often a comment on someone else’s post might inspire a response from you).
We ask that when linking to web pages, please avoid posting the raw URL address in your text. Highlight the relevant text you'd like to link in your post, then select the link icon in your formatting bar above your post (immediately to the left of the picture icon, this looks like a diagonal paperclip). This opens a small field:
Paste the URL of the page you are linking to into the field provided. Then click on the gear icon to the right of that field, and check the box that says “Open link in a new tab” (so readers can see your link without having to navigate back to the forums), before clicking the green “Add Link” button.
To add an image to your post, click on the image icon in the menu at the top of your post (it's the icon on the far right):
In the Source field of the pop-up form, click on the camera icon on the far right. This should give you access to the files on your PC / laptop, or the photo library on your mobile device. Select the image, and add a brief description (e.g., "Minoan Goddess") in the appropriate field.
In the dimensions field, you only need enter the first number (240 is a good size for starters; if too small click the edit icon and increase that number). Then select OK.
Click on the name of the person you want to contact (under their avatar in a any of their posts). This link will take you to that member’s profile page. Then click on “Send a Message,” and compose.
If you witness or experience behavior that you feel is contrary to the letter or spirit of these guidelines, please report it rather than attacking other members. Do this by choosing the Report button (next to “Reply”) at the top of the post, and select a reason from the dropdown menu (Spam, Advertising, Harassment, or Inappropriate Content). The moderation team will be notified. Depending on the degree of bad behavior, further posts might require approval, or the user could be blocked from posting and even banned.
Visit the Contact the Foundation page, select Community and Social Media, and fill out the contact form.