And just as in the past each civilization was the vehicle of its own mythology, developing in character as its myth became progressively interpreted, analyzed, and elucidated by its leading minds, so in this modern world––where the application of science to the fields of practical life has now dissolved all cultural horizons, so that no separate civilization can ever develop again––each individual is the center of a mythology of his own, of which his own intelligible character is the Incarnate God, so to say, whom his empirically questing consciousness is to find. The aphorism of Delphi, ‘Know thyself,’ is the motto.
And just as in the past each civilization was the vehicle of its own mythology
-- Joseph Campbell
The Masks of God 4: Creative Mythology (p. 36 )
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Volume 4: Explore the power of myth as it exploded from twelfth century Europe into the modern world In this fourth volume of The Masks of God — Joseph Campbell's major work of comparative mythology — the pre-emimenent mythologist looks at the European mythology of individualism as it took flower in medieval Europe and spread, through the Renaissance, to influence modernist thought, art, and literature. The Masks of God is a four-volume study of world religion and myth that stands as one of Joseph Campbell's masterworks. On completing it, he wrote: Its main result for me has been the confirmation of a thought I have long and faithfully entertained: of the unity of the race of man, not only in its biology, but also in its spiritual history, which has everywhere unfolded in the manner of a single symphony, with its themes announced, developed, amplified and turned about, distorted, reasserted, and today, in a grand fortissimo of all sections sounding together, irrestibly advancing to some kind of mighty climax, out of which the next great movement will emerge. This new digital edition, part of the Collected Works of Joseph Campbell series, includes over forty new illustrations.