From the position of secular man (Homo sapiens), that is to say, we are to enter the play sphere of the festival, acquiescing in a game of belief, where fun, joy, and rapture rule in ascending series. The laws of life in time and space––economics, politics, and even morality––will thereupon dissolve. Whereafter, re-created by that return to paradise before the Fall, before the knowledge of good and evil, right and wrong, true and false, belief and disbelief, we are to carry the point of view of man the player (Homo ludens) back into life.
From the position of secular man
-- Joseph Campbell
The Masks of God 4: Creative Mythology (p. 28 )
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Volume 4: Explore the power of myth as it exploded from twelfth century Europe into the modern world In this fourth volume of The Masks of God — Joseph Campbell's major work of comparative mythology — the pre-emimenent mythologist looks at the European mythology of individualism as it took flower in medieval Europe and spread, through the Renaissance, to influence modernist thought, art, and literature. The Masks of God is a four-volume study of world religion and myth that stands as one of Joseph Campbell's masterworks. On completing it, he wrote: Its main result for me has been the confirmation of a thought I have long and faithfully entertained: of the unity of the race of man, not only in its biology, but also in its spiritual history, which has everywhere unfolded in the manner of a single symphony, with its themes announced, developed, amplified and turned about, distorted, reasserted, and today, in a grand fortissimo of all sections sounding together, irrestibly advancing to some kind of mighty climax, out of which the next great movement will emerge. This new digital edition, part of the Collected Works of Joseph Campbell series, includes over forty new illustrations.